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See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
mourninghale
soloveitchik

It’s my opinion that like if a white supremacist/Nazi is going to be reformed. They need to do so willingly. The only times I’ve heard of successful rehabilitation of fascists is when they made the conscious decision to no longer be one anymore and seek atonement. People who try to like hug and change fascists that don’t want to change are fucking morons

haletheheretic

Correct. I was crypto-facist for a few years, and the people trying to hug me didnt change me because at that point I wouldnt have listened. It was only when I started to see the movement for what it was that I was finally able to listen.

soloveitchik

I’m not derailing your addition but I’m horrified you’re only 18. When did you become a fasc?

haletheheretic

Yeah trust me it *is* horrifying. I’m ashamed of who I was and I think my only atonement is to talk about how damn easy it is to become one when you’re young.

This is gonna be a long post.

For a little bit of background, I am a mixed race person, half brown and half white. I was raised in a Muslim family and am still closeted around them.

I started to have issues with Islam at around 12 or so, when I first started to get the idea that I might be gay. Now I never would have admitted that was my reason. If you had asked me I probably would have said “logic” or something. Because of that I went hard into atheism and atheist circles.

Now people hate to admit this but ex-Muslim spaces are predominantly right wing. Ex-Muslims often see the left as “too tolerant” towards a religion that hurt them. This was the only community I had though, and I read through everything. I was 13.

The other thing that people hate to admit is that, especially when you’re young, being mixed race is so damn hard. If I acted “too white”, following my mother’s German/Austrian traditions, I was accused of hiding my true nature. But if I acted “too brown” I was just another camel jockey. So I hid my “Indian” customs from others and tried passing as white. Especially online.

So I’m not saying this is all youtube’s fault or anything. I was raised to believe that the brown half of my family was lesser and stupid. And with my hatred of Islam, I believed it doubly.

Then came Anita Sarkeesian. I was watching pewdiepie and from there my recommendations were all set. If I’m remembering the pipeline it was pewdiepie - Philip Defranco - Chris Ray Gun (sp?) - Thunderfoot - Sargon - etc. But I was pretty much acquainted with all of the right wing youtube of the day.

Funnily enough, I found her through Thunderfoot. That got me into antifeminism, and more specifically, GamerGate.

I was primarily on the subreddits KIA (Kotaku In Action) and TIA (Tumblr In Action). Both made fun of the SJWs. I kid you not, I would gleefully wait for “Sanity Sunday”, where the people would talk about how feminism is disgusting, cultural appropriation is fake, the wage gap isnt real, etc. I would scroll through this tag for hours.

I got most of my youtube recommendations from those subreddits. This led me from GamerGate to more fascist lines of thinking, such as watching videos about why BLM is a terrorist organization, why all muslims were evil rapists, and why I was fundamentally right to reject my Indian heritage and follow my “correct” heritage.

From here I delved into “race realism”, and I believed it all. I had to. This was the only community I had felt safe in. One of the fash guys even offered to shack me up at his house if my parents kicked me out for being atheist. I was 15.

To say that again, I was 15 and believed that white was right, blue lives matter, “we wuz kangs”, etc. I never would have called myself a fascist or a Nazi. How could I? I used my brown skin as a token, so that people could point to me and say: “See, we aren’t misogynistic and racist! We have this brown girl right here.” But I believed in all the things the Nazis did. I’m not going to pretend I didn’t. I will never pretend I didn’t.

But then something happened. I admitted to myself, and to a few others, that I was gay. And suddenly, the homophobia that I had molded myself in, it didn’t fit right. I happened to, by accident, click on the reddit thread of GamerGhazi, the opposition to GamerGate. And after a long bout of introspection I found out that they were accepting of gay people, that the things I had been experiencing were common, that maybe, just maybe, we didn’t need a white ethnostate.

I don’t want to be dramatic but that accidental click saved my life.

From there it was a road of recovery. I deleted all my old accounts, made new ones, and started to read leftist theory. I found better friends, cut out old people. So now, just about two years later, I’m healing.

I think that’s everything. I probably got some times and dates wrong because I’ve been trying to move on from it. But if you need more info or anything like that, please let me know.

haletheheretic

Reblogging for anyone who’s struggling with being an ex-fascist. Feel free to message me as well, I know how scary it can be.

robogal328

Reblogging because, if this shows up often enough, maybe it will be someone else’s accidental click

shieldmaiden19

^^This person was brave enough to share their struggle and their road. Honor that by reblogging.

Source: soloveitchik
haveyouheardofescapejesus
writingmyselfintoanearlygrave

ATTENTION WRITERS

Google BetaBooks. Do it now. It’s the best damn thing EVER.

image

You just upload your manuscript, write out some questions for your beta readers to answer in each chapter, and invite readers to check out your book!

It’s SO easy!

image

You can even track your readers! It tells you when they last read, and what chapter they read!

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Your beta readers can even highlight and react to the text!!!

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There’s also this thing where you can search the website for available readers best suited for YOUR book!


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Seriously guys, BetaBooks is the most useful website in the whole world when it comes to beta reading, and… IT’S FREE.

mamadragon404

HEY! BECAUSE OF OP, THEY CREATED A SPECIAL WELCOME IF YOUR FOUND THEM THRU A TUMBLR WELCOME, ITS A YOUTUBE VIDEO.

writingmyselfintoanearlygrave

They also sent me this; which was super cool

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writingonjupiter

*slams reblog button*

loboselinaistrash

@findingtallahassee holy shit! This is cool!

pynki

“Authors retain all rights to works posted on BetaBooks, and can add or remove content at their discretion. BetaBooks makes no claim to any of the work posted on the site.”

Incase anyone was wondering

tane-p

@judiops

Source: writingmyselfintoanearlygrave
haveyouheardofescapejesus
rgfellows:
“ rgfellows:
“ kanyewestboro:
“ calanoida:
“ Susanna and the Elders, Restored (Left)
Susanna and the Elders, Restored with X-ray (Right)
Kathleen Gilje, 1998
”
wow
”
Oooh my gosh this is rad. This is so rad.
For those who don’t know about...
calanoida

Susanna and the Elders, Restored (Left)

Susanna and the Elders, Restored with X-ray (Right)

Kathleen Gilje, 1998

kanyewestboro

wow

rgfellows

Oooh my gosh this is rad. This is so rad.

For those who don’t know about this painting, the artist was the Baroque artist Artemisia Gentileschi.

Gentileschi was a female painter in a time when it was very largely unheard of for a woman to be an artist. She managed to get the opportunity for training and eventual employment because her father, Orazio, was already a well established master painter who was very adamant that she get artistic training. He apparently saw a high degree of skill in some artwork she did as a hobby in childhood. He was very supportive of her and encouraged her to resist the “traditional attitude and psychological submission to brainwashing and the jealousy of her obvious talents.”  

Gentileschi became extremely well known in her time for painting female figures from the Bible and their suffering. For example, the one seen above depicts the story from the Book of Daniel. Susanna is bathing in her garden when two elders began to spy on her in the nude. As she finishes they stop her and tell her that they will tell everyone that they saw her have an affair with a young man (she’s married so this is an offense punishable by death) unless she has sex with them. She refuses, they tell their tale, and she is going to be put to death when the protagonist of the book (Daniel) stops them.

So that painting above? That was her first major painting. She was SEVENTEEN-YEARS-OLD. For context, here is a painting of the same story by Alessandro Allori made just four years earlier in 1606: 

image

Wowwwww. That does not look like a woman being threatened with a choice between death or rape. So imagine 17 year old Artemisia trying to approach painting the scene of a woman being assaulted. And she paints what is seen in the x-ray above. A woman in horrifying, grotesque anguish with what appears to be a knife poised in her clenched hand. Damn that shit is real. Who wants to guess that she was advised by, perhaps her father or others, to tone it down. Women can’t look that grotesque. Sexual assault can’t be depicted as that horrifying. And women definitely can’t be seen as having the potential to fight back. Certainly not in artwork. Women need to be soft. They need to wilt from their captors but still look pretty and be a damsel in distress. So she changed it. 

What’s interesting to note is that she eventually painted and stuck with some of her own, less traditional depictions of women. However, that is more interesting with some context.  

(Warning for reference to rape, torture, and images of paintings which show violence and blood.)

So, Gentileschi’s story continues in the very next year, 1611, when her father hires Agostino Tassi, an artist, to privately tutor her. It was in this time when Tassi raped her. He then proceeded to promise that he would marry her. He pointed out that if it got out that she had lost her virginity to a man she wasn’t going to marry then it would ruin her. Using this, he emotionally manipulated her into continuing a sexual relationship with him. However, he then proceeded to marry someone else. Horrified at this turn of events she went to her father. Orazio was having none of this shit and took Tassi to court. At that time, rape wasn’t technically an offense to warrant a trial, but the fact that he had taken her virginity (and therefore technically “damaged Orazio’s property”. ugh.) meant that the trial went along. It lasted for 7 months. During this time, to prove the truth of her words, Artemisia was given invasive gynecological examinations and was even questioned while being subjected to torture via thumb screws. It was also discovered during the trial that Tassi was planning to kill his current wife, have an affair with her sister, and steal a number of Orazio’s paintings. Tassi was found guilty and was given a prison sentence of…. ONE. YEAR……. Which he never even served because the verdict was annulled.

During this time and a bit after (1611-1612), Artemisia painted her most famous work of Judith Slaying Holofernes. This bible story involved Holofernes, an Assyrian general, leading troops to invade and destroy Bethulia, the home of Judith. Judith decides to deal with this issue by coming to him, flirting with him to get his guard down, and then plying him with food and lots of wine. When he passed out, Judith and her handmaiden took his sword and cut his head off. Issue averted. The subject was a very popular one for art at the time. Here is a version of the scene painted in 1598-99 by Carivaggio, whom was a great stylistic influence on Artemisia:

image

This depiction is a pretty good example of how this scene was typically depicted. Artists usually went out of their way to show Judith committing the act (or having committed it) while trying to detach her from the actual violence of it. In this way, they could avoid her losing the morality of her character and also avoid showing a woman committing such aggression. So here we see a young, rather delicate looking Judith in a pure white dress. She is daintily holding down this massive man and looks rather disgusted and upset at having to do this. Now, here is Artemisia’s:

image

Damn. Thats a whole different scene. Here Holofernes looks less like he’s simply surprised by the goings ons and more like a man choking on his own blood and struggling fruitlessly against his captors. The blood here is less of a bright red than in Carrivaggio’s but is somehow more sickening. It feels more real, and gushes in a much less stylized way than Carrivaggio’s. Not to mention, Judith here is far from removed from the violence. She is putting her physical weight into this act. Her hands (much stronger looking than most depictions of women’s hands in early artwork) are working hard. Her face, as well, is completely different. She doesn’t look upset, necessarily, but more determined. 

It’s also worth note that the handmaiden is now involved in the action. It’s worth note because, during her rape trial, Artemisia stated that she had cried for help during the initial rape. Specifically she had called for Tassi’s female tenant in the building, Tuzia. Tuzia not only ignored her cries for help, but she also denied the whole happening. Tuzia had been a friend of Artemisia’s and in fact was one of her only female friends. Artemisia felt extremely betrayed, but rather than turning her against her own gender, this event instilled in her the deep importance of female relationships and solidarity among women. This can be seen in some of her artwork, and I believe in the one above, as well, with the inclusion of the handmaiden in the act.

So, I just added a million words worth of information dump on a post when no one asked me, but there we go. I could talk for ages about Artemisia as a person and her depictions of women (even beyond what I wrote above. Don’t get me started on her depictions of female nudes in comparison to how male artists painted nude women at the time.) 

To sum up: Artemisia Gentileschi is rad as hell. This x-ray is also rad as hell and makes her even radder.

I love art history.

rgfellows

I’m reblogging this again to add something that I also think is important to know about Artemisia Gentileschi.
Back in her time and through even to TODAY, there are people who argue that her artworks were greatly aided by her father…. As in he either helped her paint them or just straight up painted them himself. Hell, there are a number of works only recently (past several years or so) that have been officially attributed to Artemisia because people originally saw the signature with “Gentileschi” in it and automatically attributed it to Orazio.
So, not only was Artemisia Gentileschi an amazing artist and amazing historical figure, but I don’t want it to be ignored that there are people over 400 years later who still won’t give her the credit she deserves, just because she’s a woman and obviously women can’t paint like she did.

Source: brooklynmuseum.org
My #topnine2018
Not happy with this. I had less likes this year because I had less posts. I nearly gave up drawing when I was at one of the lowest points of my life. But I started my way out (mostly through spite) and felt reenergized. But then I...

My #topnine2018

Not happy with this. I had less likes this year because I had less posts. I nearly gave up drawing when I was at one of the lowest points of my life. But I started my way out (mostly through spite) and felt reenergized. But then I just lost time to draw.

I feel like these aren’t representative of my art for the year, although my wizard is pretty solid.

So many unfinished projects. Unrealized potential.
Yippee.

#topnine #endoftheyearcrap #artfail
https://www.instagram.com/p/BrRXkirBkpU/?utm_source=ig_tumblr_share&igshid=4aepzz75jts5

topnine2018 topnine endoftheyearcrap artfail
haveyouheardofescapejesus
fulminata2

When you pick up a sword for the first time you will be slow and awkward. This is frustrating, but refuse the temptation to try and become a “faster” fencer. Chasing after speed is like trying to catch smoke. If you try and pursue speed, all you will accomplish is haste. Haste is the enemy of 1st class fencing.

Speed is a lie the untrained mind tells itself when it sees an action it cannot follow. The truth is a combination of timing, control, and fluidity. Fluid motion, even done slowly, will always arrive before a hasty strike. Control will allow you to move without wasteful motion that will slow you down. Timing will eliminate the need to move fast almost entirely. There is no need to get somewhere fast so long as you get there at the right time.  

abbleremorse

Tip for mymutuals who engage in bladed armed combat

plasmalogical

signal boost

teadrunktailor

Relevant to many different types of sword things and most of life as well.

antoniotyler

This literally describes the first time I made a comic.

Source: fulminata2